F.A.S.E. 0
S c h e n i c a l p ro p o s s i t i o n w h i c h t r a n s i t i s t h e thoughts, affections, intimacies and memories of a practice with its contact relations.
a practice with its contact relations.
The skin and the body of touch as sensitive contagions and affective
and affective propagations of vital substrates, for their emancipation.
for their emancipation in times of turmoil and non-contact.
agitation and non-contact.
It embodies the phenomenon of Contact Improvisation,
as a political practice, where performativity
to de-hierarchise the senses, subvert power relations and insist on the
relations of force and insist on the power of the encounter, leaving the body as materiality
encounter, leaving the body as materiality
for the emergence of other corporealities;
finding from improvisation in contact,
a practice of imaginative listening.
And, if contact is the materiality [between] where the living and the dead are
the living and the dead, the corporeal and the incorporeal, the tangible and the intangible?
the tangible and the intangible?
How do we relate to the physical,
chemical and alchemical laws that emerge in the encounter?
encounter?
Soledad Medina / Creation and Direction
Marta Nuñez / Creation and Performance
Poly Rodríguez Sanhueza / Creation and Performer
Javiera Sanhueza / Creation and Performer
Kamille Gutiérrez Kuruz/ Creation and Performer
Camila Cavieres / Creation and Performer
Pamela Cañoles / Sound Field
Tamara Figueroa / Integral Design
Rocío Rivera Marchevsky / Accompaniment
Choreography
Paz Marín / Compilation of Fanzine Writing
Paola Gómez Boza / Fanzine Design
Fernado Godoy / Sound Field Consultancy
Hugo Navarro / Production
Consuelo Laclaustra / Press and Dissemination
Danila Ilabaca / Graphic Design
Estefan Soto / Photography
Gonzalo Donoso / Photography
Andrés Eyzaguirre / Photographic and Audiovisual Documentation
Audiovisual Documentation
